Mapping Sculpture can be summed up as an investigation of sculptural practice that aims to reveal the numerous personal and professional connections underlying the production of sculpture. The project's state of the art database provides the means of searching this complex web of connections.There are over 50,000 records in the database. This wealth of information can be used to answer many questions and will also suggest many new avenues for further investigation.
This project aims to survey the vast hidden archive of early Stuart England's manuscript pamphlets. In collaboration with the British Library, this project will construct a database of manuscript pamphlet texts, bibliographic information, and digital images. This will allow users to search transcriptions of the pamphlets; analyze the distribution of copies through time and space; and see how such materials were presented: large and small, elaborate and plain, professional and amateur. The project will conduct additional research in the private papers of Francis Russell, fourth earl of Bedford, who was a major political figure of the early Stuart era as well as a reader and collector of manuscript pamphlets.
In 2017 Erika Renedo completed interviews with Makeright inmates (who agreed to participate) linked to semi-structured interview research questions agreed with Lorraine Gamman, who also created and developed ethics protocols and consent forms which were approved by UAL's ethic committee. These interviews were transcribed at the end of 2017 and sent to the MoJ for permission to publish. In Spring 2018 we gained permission via Keith Jarvis at HMP Thameside to publish and have loaded interviews online via the Makeright website as a data set and form of evaluation (https://makerightorg.wordpress.com/interviews/). We have also loaded films by Stretch who were commissioned by DACRC as a further form of evaluation (https://makerightorg.wordpress.com/images-and-videos/).
Late Medieval English Scribes is an online catalogue of all scribal hands (identified or unidentified) which appear in the manuscripts of the English writings of five major Middle English authors: Geoffrey Chaucer, John Gower, John Trevisa, William Langland and Thomas Hoccleve.
This research project explores the insight that the period between the introduction of tobacco in the 1570s and the ‘Gin Craze’ of the early eighteenth century was a formative phase in the production, traffic, consumption, and representation of intoxicants. By intoxicants – a less ideologically loaded term than ‘drugs’, and a more historical descriptor for non-medicinal commodities – we mean substances understood at the time to be ‘poisoning, or envenoming’ and ‘tuddling or making drunk’, and which today are recognized as having an often detrimental impact on the body’s physiological and mental processes, especially if consumed to excess.” “The resulting research tool will be an interactive website, providing free access to the datasets generated by the project, and allowing the research team and a wider community of users to explore the relationships between the economic, social, political, material, and cultural realms of early modern intoxication. “These include people, places, objects (such as drinking vessels, printed images), organisations, language (context-specific terminology), and events (such as legislation or transactions). Each of these entities will have its own set of characteristics as well as relationships with one or more other entities. The resulting ‘ontology’ will enable the PI, Co-Is, and RAs to interrogate the entire range of data and visualise the results in ways which reveal trends and relationships that are not evident when consulting the documents individually. For example, changing volumes of tobacco or numbers of licence holders or uses of the word ‘drunkenness’ can be traced and contextualised diachronically whilst relationships between entities – for example tobacco, licences, and ‘drunkenness’ – are revealed synchronically.
This is e a digital catalogue of 230 songs from the medieval period to the early nineteenth century, categorised according to generic type, musical incipit and other features and thus permitting for the first time comparison of songs distant in time but linked across history by melody, form or audience. Facsimile images of manuscript and early printed editions are provided, as also modern musical annotation and commentaries on each song.
This Variorum Edition concentrates on the four English editions of Foxe's martyrology published in London during his own lifetime: those of 1563 ; 1570 ; 1576 and 1583. There were, of course, many editions of the work published after Foxe's death in 1587 and, like any great and controversial book, the text acquired a dynamic and a history of its own. However, the objective of this edition is to recover Foxe's sources and strategy as he sought to collect and present his picture of the protestant reformation as a transforming experience in the religious history of England and Europe, and its pre-history within the broadest historical and doctrinal context that he could conceive of. It is the dynamics of the text during the twenty years from 1563 to 1583 which this edition seeks to recover.
The Language of Bindings Thesaurus (LoB) is intended to provide a consistent and agreed terminology to be used by anybody working with historic books, such as conservators, palaeographers, cataloguers, librarians, historians, book collectors, rare book dealers. Offering this vocabulary in a layered structure, the thesaurus is developed to encourage further research in book history. It can be used as a reference to concepts to describe bookbindings unambiguously in all cataloguing activities. It can also be used as a didactic tool for learning about book structures and materials, the frequency of the occurrence of bookbinding components or other aspects connected with the book trade.
This is a fully transcribed and annotated corpus of oral narrative in Modern French. There are 87 stories told by 18 storytellers. The narratives are live recordings of storytelling in authentic contexts. All form part of the recorded collection of the Conservatoire de Litterature Orale in Vendome, France, with permission from the Artistic Director. The narratives are transcribed and annotated using the conventions of the Text Encoding Initiative. A full set of tags has been designed to annotate a variety of syntactic and stylistic features and these are annotated throughout the corpus. Full metadata is contained in the Header of each document: this includes information on the tagset, details of the recording contexts, as well as sociolinguistic information on the storytellers (regional origin, age, educational profile, gender). The corpus can be accesse via the website or via the Oxford Text Archive.
This was a pilot project to retroactively create an online database from the (purposefully laid-out) volumes of The Place-Names of Fife. It was successful, and allowed the researcher, Simon Taylor, and the systems developer, Brian Aitken, to work together on a prototype of what will become the full Scottish Place-Name database for the future (based on older models, which underlie the survey volumes).
