Literature

Russian Visual Arts: Art Criticism in Context, 1814-1909

Russian Visual Arts: Art Criticism in Context, 1814-1909

“Russian Visual Arts: Art Criticism in Context, 1814-1909 is an online research archive documenting the growth of diverse forms of commentary on the visual arts (particularly painting) in Russia from the early ninteenth- to early twentieth centuries. The archive contains over 100 hundred primary texts, in Russian and in many cases in new English translations, as well as over 300 digital images of journal and newspaper reproductions of works of art. A comprehensive editorial structure places these rare and/or previously unpublished works in their cultural and historical context. This editorial work includes introductions to the critics and the texts, new annotations to the translations, a glossary, a timeline of the development of art criticism, and an extensive bibliographical database.”

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Early Modern Festival Books Database

Early Modern Festival Books Database

“The Early Modern Festival Books Database presents more than 3000 festival books published between 1500 and 1800 in 12 languages. These are printed accounts commissioned by kings and princes, by cities, and by the church to record such events as coronations, ceremonial entries into cities, ambassadorial visits, weddings, christenings, victory and peace celebrations, funerals, civic celebrations of all kinds, investitures of popes and cardinals, canonizations of saints and translations of relics, among others. “The database is an expanded and fully revised version of the bibliographical and historical handbook Festivals and Ceremonies. A Bibliography of Works Relating to Court, Civic and Religious Festivals in Europe 1500-1800 by Helen Watanabe-O’Kelly and Anne Simon (London: Continuum, 2000). Festivals and Ceremonies not only provided bibliographic details of the works it listed, but also historical information about the festival the publication relates to, such as the occasion, its main actors, and the artists and genres involved. When this standard tool of festival research went out of print, it was decided not to reprint it in book form but to turn it into a freely available, fully searchable database and to use this opportunity not only to check the information it contained but to provide links to a digitized version of the texts, wherever such a version existed.”

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